
{"id":1750,"date":"2017-10-13T15:29:40","date_gmt":"2017-10-13T15:29:40","guid":{"rendered":"https:\/\/www.berea.edu\/appalachian-center\/?p=1750"},"modified":"2018-11-26T11:10:39","modified_gmt":"2018-11-26T16:10:39","slug":"rhythmic-writing-impossible","status":"publish","type":"post","link":"https:\/\/legacy.berea.edu\/appalachian-center\/2017\/10\/13\/rhythmic-writing-impossible\/","title":{"rendered":"The Rhythmic Writing of the Impossible"},"content":{"rendered":"<p>A Poetry Workshop with Lyrae Van Clief-Stefanon<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1751 alignleft\" src=\"https:\/\/legacy.berea.edu\/appalachian-center\/wp-content\/uploads\/sites\/20\/2017\/10\/IMG_6922-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/legacy.berea.edu\/appalachian-center\/wp-content\/uploads\/sites\/20\/2017\/10\/IMG_6922-200x300.jpg 200w, https:\/\/legacy.berea.edu\/appalachian-center\/wp-content\/uploads\/sites\/20\/2017\/10\/IMG_6922-768x1152.jpg 768w, https:\/\/legacy.berea.edu\/appalachian-center\/wp-content\/uploads\/sites\/20\/2017\/10\/IMG_6922-683x1024.jpg 683w, https:\/\/legacy.berea.edu\/appalachian-center\/wp-content\/uploads\/sites\/20\/2017\/10\/IMG_6922.jpg 1365w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>I heard Lyrae read her poetry for the first time at the Appalachian Writers Symposium on September 13<sup>th<\/sup>, and I knew that I just had to attend her poetry workshop the following morning. Her voice carried her poems with a rhythm that made me want to bop around. I felt the musicality of her writing in my bones.<\/p>\n<p>On Thursday morning when everyone walked into Baird Lounge to get ready to learn from this force of a writer, Lyrae was prepared with music to kick us into gear. We were in for a treat as Lyrae launched on her balance of academia, history, and laughter.<\/p>\n<p>Lyrae\u2019s recent work focuses on adynaton, a form of hyperbole that insinuates the impossible. She walked us through a description and examples of adynaton and then set us off on our own poetic journeys with a challenge to choose something black that we found beautiful.<\/p>\n<p>She directed us to set off in trying to use adynaton to tease out the impossibilities in our chosen black subjects, and the room got quiet as we all shifted into writing gear, letting the words flow and the pages absorb our full concentration. Here, I want to share the poetry of some of our own in the LJAC family. Director Chris Green and Program Assistant Heather Dent have generously shared their poems from that day.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>The Life of a Coal<\/strong><\/p>\n<p>Beautiful, rich, and dark,<\/p>\n<p>The coal is tossed into the fire.<\/p>\n<p>It becomes an ember<\/p>\n<p>Pulsing with orange light.<\/p>\n<p>But then,<\/p>\n<p>The flames suck out the life.<\/p>\n<p>They suck out the color,<\/p>\n<p>Leaving it ashy, white, and dull,<\/p>\n<p>Hollow, and ready to crumble.<\/p>\n<p>The black beauty is gone.<\/p>\n<p>&nbsp;<\/p>\n<p>Heather Dent<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1752 size-full\" src=\"https:\/\/legacy.berea.edu\/appalachian-center\/wp-content\/uploads\/sites\/20\/2017\/10\/21730980_10154953026363008_3541772759575061356_n.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https:\/\/legacy.berea.edu\/appalachian-center\/wp-content\/uploads\/sites\/20\/2017\/10\/21730980_10154953026363008_3541772759575061356_n.jpg 800w, https:\/\/legacy.berea.edu\/appalachian-center\/wp-content\/uploads\/sites\/20\/2017\/10\/21730980_10154953026363008_3541772759575061356_n-300x225.jpg 300w, https:\/\/legacy.berea.edu\/appalachian-center\/wp-content\/uploads\/sites\/20\/2017\/10\/21730980_10154953026363008_3541772759575061356_n-768x576.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>The depression after my wreck grew and wrapped<\/p>\n<p>my neck like a stark tree, drunk from the tar of my loss.<\/p>\n<p>Its silhouette hung forked and naked against the night sky.<\/p>\n<p>My pupils were not strong enough to pull in the night<\/p>\n<p>where nested light of a billion billion stars. But decades<\/p>\n<p>of love given have chipped that cold tree\u2019s black buds<\/p>\n<p>into infinitesimal starlings, grackles, crows, and ravens<\/p>\n<p>that shoot like sparks through a cloudless new-moon night.<\/p>\n<p>Untouchable their energy spreading space wider, brief breath<\/p>\n<p>of a billion birds on the shanks of each neutrino mountain,<\/p>\n<p>pushing time that much more apart, they rush together<\/p>\n<p>like people who know each other by smell, reading braille<\/p>\n<p>on each photons\u2019 still, dark subway drilling its way toward connection,<\/p>\n<p>like how husband and wife\u2019s fingers graze one another\u2019s faces.<\/p>\n<p>Flint flake kisses thrown to the sky, what could contract<\/p>\n<p>their push that gives room to particles to fly? Maybe if my wife<\/p>\n<p>were to leave, my daughter to die, my poems to smother under<\/p>\n<p>boulders of reports, memo, and law? Before that, obsidian geysers<\/p>\n<p>would erupt from the Indian Ink that surges through my pen,<\/p>\n<p>from my daughter\u2019s fingers dancing on the keys of song and story,<\/p>\n<p>from my wife\u2019s calls and faxes to Frankfort and Washington,<\/p>\n<p>from the midnight walks whose dark energy spreads out space<\/p>\n<p>so we can meet, so we can find each other, so our children can run<\/p>\n<p>in yards and dance with fireflies, so that space will continue from<\/p>\n<p>its first burst where distance between allowed the distance to be<\/p>\n<p>so voice and ear and lip and cheek would meet and dance.<\/p>\n<p>&nbsp;<\/p>\n<p>Chris Green<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Poetry Workshop with Lyrae Van Clief-Stefanon I heard Lyrae read her poetry for the first time at the Appalachian Writers Symposium on September 13th, and I knew that I just had to attend her poetry workshop the following morning. Her voice carried her poems with a rhythm that made me want to bop around. [&hellip;]<\/p>\n","protected":false},"author":113,"featured_media":1751,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[],"class_list":["post-1750","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gravy-blog"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Rhythmic Writing of the Impossible - Loyal Jones Appalachian Center<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Rhythmic Writing of the Impossible - Loyal Jones Appalachian Center\" \/>\n<meta property=\"og:description\" content=\"A Poetry Workshop with Lyrae Van Clief-Stefanon I heard Lyrae read her poetry for the first time at the Appalachian Writers Symposium on September 13th, and I knew that I just had to attend her poetry workshop the following morning. 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